I admire the intellect of those who write about advantage play techniques but I don�t really understand why they do it.
Ian Andersen�s rather brilliant book is a case in point. I don�t mean to be facetious or smart-ass but this is my take on it: -
The �Ultimate Gambit� describes a very real method to avoid detection by casino tracking software. There are relatively few players worldwide that have the bankroll to take advantage of this. Those that do have the bankroll would, almost certainly, be using similar techniques (otherwise they are unlikely to have accumulated such a bankroll).
Arnold Snyder and others lifted the top off the sequencing and tracking cookie jar. James Grosjean�s superb work is also right in there and, of course we have our resident demagogue.
My point is this.
If I had the brains to figure out how to buck the house edge there is no way in the sweet wide world that I would tell anyone, let alone write a book about it.
I can understand writing about games and techniques that are no longer practical or available (like most of May�s esoteric nonsense) but why would you want to ruin the opportunities for those few people that have put in the hard yards to achieve their substantial bankrolls.
Is it for the money? (I doubt it, Don has told us there�s not much in it and he�s got a couple of web sites to promote his stuff)
A desire to inform and help others?
Ego?
Respect?
Yes, I know Thorp�s book helped make blackjack the popular and profitable game it is today (for the house) but publishing advanced techniques doesn�t really help the average player and it REALLY hurts the established professional.
At the end of the day I can�t help but feel that the these books have contributed far more to the demise of profitable opportunities for professionals than an army of MBs ever did, or could.
Don�t get me wrong, I�m not one of those professionals, I NEED these books and would pay many times the asking price for most of them, I�m just curious as to what motivates someone to publicly spill the beans, as it were.

